My primary medium is silkscreen on textile and paper. I also make books, cyanotypes, and use multi-process collage techniques. I incorporate photographs, archival documents, found materials, scores, plants, original writing, and oral history transcripts into my work. I am interested in distilling images through different mediums and the disruptive potential of installation.
Witness Prints
Since summer 2025 I have been conducting anonymous oral histories during heat waves outside of municipal “cooling centers” as an extension of my project Refuge. These stories comprise an alternative Emergency Index and a series of “Witness Prints” incorporating text fragments from the oral histories are part of a broader exploration of the visual, geographic, and temporal registers through which we experience climate emergency.
Activated Prints
Much of my printed work is made and installed outdoors (or on bodies) and is intended to be physically interacted with and distributed. My prints and books can function as methods to distribute or share memories, as extensions of research or performance practices, or invitations for somatic experimentation.
All of my work is mutable; some of my work is wearable; some of it can be installed, projected on, or activated during performances.
Invitations
I have created several broadside invitations for autonomous public engagement to accompany installed work. These include “tour scores” and somatic protocols.
